Painting Technique - Monkey Cover #6
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEjgvi6TNlD4nmx2G4bdI5AyG1Apoj_risn5zkIL2pdsUte_HBw4rI6fQP0XbloiaGwp_z4QAyd_fSHzgjAEbGUJDJawIzwh1K7_2ah1SOSIHOeWRtXk3rmx186NTbOD90zhUw/s320/colorbloxmult.jpg)
It's starting to look like something now. I finished up the last little bit of the underpainting yesterday and started laying the colors in. To add color I painted big flat areas using a hard 100% opacity brush. I did this on a separate photoshop layer set to multiply so the underpainting showed through. It's very similar to painting a glaze with oil paints. If I set the new color layer to "normal" instead of "multply" you can see the blocks of color. It looks like this...
![](https://blogger.googleusercontent.com/img/b/R29vZ2xl/AVvXsEhw3Oqm75KyDiIuWABH8LQRZiwJ1Tk31ngk27hfLkDnAzJo1ewru7UqQPlfx0k5WpJrWvvMwYoXW6seaGQF59Vl0kC8jPjcy8QCbvtNIlbhxDz5bi9y2v-nJKE9WWdnYTBbSQ/s320/colorblox.jpg)
Working on a separate layer makes it easier to erase and change colors as I go. When I was all done and happy with the colors, I merged everything into a single photoshop layer so it looks the the version at the top of the post. Now I'm ready to add details and highlights etc.
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Alan
Pleasant St. Press